Description: "Tana French is the most interesting, most important crime novelist to emerge in the past 10 years." -- The Washington Post "Most crime fiction is diverting; French's is consuming...Each book has a distinct voice, from Rob Ryan's cultured lyricism to the blunt, meticulous fed-upness of Antoinette Conway." -- The New Yorker "Atmospheric and unputdownable." -- People "A fierce examination of the chasm between how women choose to present themselves before the world and the more complicated truth underneath--and not to mention a total page-turner." -- Harper's Bazaar "Beautifully crafted . . . may be her best yet." -- Entertainment Weekly "The real attraction, as with previous books in the series, is French's complex, deeply flawed detectives and her hard-boiled yet poetic way with words" -- Fort Worth Star-Telegram " Her masterful thrillers are more and more warmly awaited. " -- Philadelphia Inquirer "The Trespasser 's momentum presses forward to a finish that staggers Conway and Moran as much as it does the reader. This is a complex, compulsively readable novel; French keeps getting better and better." --Shelf Awareness Praise for Tana French "To say Tana French is one of the great thriller writers is really too limiting. Rather she's simply this: a truly great writer." --Gillian Flynn "French is a poet of mood and a master builder of plots." --Maureen Corrigan, The Washington Post "One of the most distinct and exciting new voices in crime writing." --The Wall Street Journal "French does something fresh with every novel, each one as powerful as the last but in a very different manner. Perhaps she has superpowers of her own? Whatever the source of her gift, it's only growing more miraculous with every book." --Laura Miller, Salon.com

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